![]() ![]() Their elaborate construction enabled movements of specific body parts of the depicted person, and they had a powerful impact on the participants of these events. liturgical and paraliturgical ceremonies, and were used during various theatrical religious activities connected to the main feasts of the liturgical year. Articulated sculptures were a common sight in east-central Europe during the Middle Ages: they held an important place in. This article will continue the line of inquiry suggested by the previous contribution, but focus on animated sculptures of Christ created on the former territory of the medieval Kingdom of Poland, as well as in Silesia and Pomerania, and in the Polish-Lithuanian Commonwealth. The present project aims to uncover previously understudied processes and classifications related to animation by contributing with empirical studies as well as a theoretical framework for The Living Image. Animation, we argue, is not only located in the mind of the beholder, but also in the ontology, creation, interaction, and materiality of images. However, the term suffers from insufficient theoretical development and unsystematic application. This span of potentials seems to belong to the property and ontology of the image – both medieval and modern. It covers a variety of manifestations of living presence related to a range of different causes, from animate matter that seemingly moves at its own accord to practices that animate matter by manipulation from the outside. It is a dynamic term that bridges historical and modern theory. We propose the concept animation as an overall approach. It might constitute a fundamental aspect of our life with images, in the premodern as well as in the contemporary. Targeting an ontology of images that takes its animate properties into consideration, we argue that the cultural interaction with images may be regarded as more than mere historically or culturally specific phenomenon. Second, it will focus on the theoretical and methodological implications related to ‘living images,’ aiming to develop a theory and a vocabulary by which we may conceptualize and analyse such images and their behaviour in a cross-cultural and trans-historical perspective. The project will study medieval examples and retrieve medieval concepts related to living images and imagery. The medieval period features a particularly strong, but hitherto largely neglected, interest in and vocabulary for understanding the properties of images. First, it investigates the living image in a historical perspective by se lective cases from antiquity to modernity, with a focus on medieval visual culture. The Living Image (LIMA) revolves around the investigation of two interlaced objectives, one historical and one theoretical. Mit dieser Arbeit an die junge Generation der Mixteken appellieren, die „Tradition der Ahnen“ im Umfeld aggressiver und allzu plausibler Modernität nicht achtlos beiseite zu stellen Mein persönliches Anliegen ist es jedoch mit dieser Arbeit nicht nur zu einem vertieften Verständnis mixtekischer Religion und der Rolle von Religion in anthropologischen Studienīeizutragen, sondern insbesondere auch den Mixteken selbst aus der Sicht und der Einsicht eines Europäers die Kostbarkeit und den Reichtum ihrer Tradition vorzustellen. Deshalb wird diese Interpretation als wissenschaftliche These dargestellt. Tlaxiaco im mexikanischen Bundesstaat Oaxaca in den Jahren 1990 – 1993 machen durfte.ĭiese Erfahrung verlangt nach einer Deutung, die grundlegende und wichtige Erkenntnisse für die wissenschaftliche Kulturanthropologie und Religionsgeschichte verarbeitet und Katholischer Priester in der Pfarrei Nuestra Señora de la Natividad in Chalcatongo, Distrikt Der vorliegenden Arbeit liegt eine spirituelle und dialogische Erfahrung mit der Religion und Kultur der heutigen Mixteken zu Grunde, die ich im Zuge des pastoralen Dienstes als ![]()
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